Artistic Director and CEO
Kate is recognised as one of Australia's foremost directors of dance-theatre. She is an award winning creator of multidisciplinary works which cross the mediums of film, television and live performance. She graduated in 1994 with a Bachelor of Dance from the Victorian College of the Arts (School of Dance) and the following year studied at the John Bolton Theatre School. In 1997 she co-founded KAGE with Gerard Van Dyck. As the Artistic Director of KAGE she has devised, directed and/or performed in all of the Company's works including:
CONTAMINATION - Karyn Lovegrove Gallery (Next Wave Festival 1998)
NO (UNDER)STANDING ANYTIME – Athenaeum Theatre (Kate received a Fellowship from the Australian Choreographic Centre in Canberra in 1999 to develop this work which premiered at Next Wave Festival 2000)
BIRTHDAY – Malthouse Beckett Theatre (Kate was awarded a Womens' Artist Grant from Arts Victoria in 1999 to develop a solo performance directed by John Bolton)
NOWHERE MAN - North Melbourne Town Hall (Melbourne International Arts Festival 2003)
THE DAY THE WORLD TURNED UPSIDEDOWN - North Melbourne Town Hall and Artplay (Melbourne International Comedy Festival 2004)
AL FRESCO - Outdoors (Melbourne 2006 Cultural Festival for the Commonwealth Games)
HEADLOCK - Malthouse Merlyn Theatre 2006 (also selected to be on the 2006 VCE Drama Playlist), Adelaide Festival Centre, Sydney Opera House 2009
APPETITE - Fairfax Studio Arts Centre Melbourne (Melbourne International Arts Festival 2008)
SUNDOWNER - Castlemaine State Festival 2011, GPAC and Arts Centre Melbourne 2012 (selected to be on the 2012 VCE Drama Playlist), and a 32 venue national tour in 2013. This work was created in partnership with Alzheimer’s Australia Vic.
LOOK RIGHT THROUGH ME - Malthouse Merlyn Theatre 2011, a collaboration with Australian poet and philosopher Michael Leunig.
FLESH AND BONE - Fortyfivedownstairs 2013 (L'Oreal Melbourne Fashion Festival Cultural Program, the Melbourne Food & Wine Festival Umbrella Events Program, Dance Massive Off Program), whci saw Kate return to performing after 8 years alongside Gerard Van Dyck.
FORKLIFT - Carriageworks 2014 (Sydney Festival), Arts Centre Melbourne Forecourt 2014, Sydney Harbour Foreshore 2014 (Hoopla Festival), a site specific international collaboration.
Many of these works have won Kate and KAGE industry awards and national and international recognition. The awards for Kate include joint winner of the Eva Czajor memorial Award, which salutes women directors, the Canberra Critics' Circle Award for Dance, a Green Room Award for Female Emerging Artist in Dance and the 2004 Australian Dance Award for Outstanding Achievement in Independent Dance.
Kate was commissioned by Chunky Move to choreograph a new work THIS SIDE UP which she performed in Melbourne in September 1999. The work toured nationally for the Big Day Out in January 2000. Kate was invited to present THIS SIDE UP at the World Dance 2000 Tokyo Asian Next Wave in August 2000 where she performed the work with Gerard Van Dyck.
In 2001 Kate was the recipient of a residency at the Cite Internationale des Arts in Paris (Australia Council Studio).
Kate was the Australian representative for the Little Asia Dance Exchange Network as part of the Made to Move program and performed her solo work THROW AWAY THE FAT, BONES, SKIN in Hong Kong, Melbourne, Taiwan and Tokyo in 2000 as part of World Dance 2000 Tokyo Asian Next Wave.
Kate played a leading role in Arena Theatre's production Eat Your Young which premiered at the Telstra 2000 Adelaide Festival and later toured to Sydney, Melbourne, Brisbane, Taipai and Singapore.
In 2002 Kate participated in an Arts Business Mentorship Program through Arts and Recreation Training Victoria with creative producer Angharad Wynne-Jones.
Also in 2002 Kate created UNDERGROUND for the third year dance students at the Victorian College of the Arts. The work was invited to be performed in Saitama, Japan in 2003 where it won the Grand Jury Prize at the 12th Saitama International Creative Dance Contest.
In 2003 Kate received a travel grant from the Ian Potter Foundation to work with Choreographer Benoit LaChambre and Compagnie Par.b.leux (based in Montreal) to perform in 100 Rencontres for Kunsten Festival des Arts in Brussels and Festival Montpellier Danse.
The same year Kate was Choreographer-in-Residence at Dance Box, Osaka, through an Asialink artist residency grant.
In 2005, Kate was the Artistic Director of a company of six young Australian performers resident at World Expo 2005 in Nagoya, Japan.
Kate returned to Japan in 2006 to tour KAGE's collaborative work INK to Osaka and Yokohama as part of 2006 Year of Australia/Japan Exchange.
Kate has been commissioned to create new works for Australian Dance Theatre in Adelaide (Misfit for the 2001 Come Out Festival) and Pink Lines for Tasdance.
Kate works as a Choreographer and Movement Director for Theatre. Previous productions include: The ThreePenny Opera Malthouse/Victorian Opera, Michael Kantor's Babes in the Wood, Dennis Moore's The Ishmael Club and Billy Maloney as well as Punch for St Martins Theatre. In 2008 Kate directed Frank Woodley’s acclaimed solo show Possessed.
In 2009 KAGE was invited to be the inaugural Company in Residence at Arts Centre Melbourne.
In 2012 Kate worked as a consultant dramaturge for Polyglot Theatre for their production City of Riddles and also participated in a directorial attachment with Melbourne Theatre Company and Associate Director Peter Evans.
In 2013 Kate was recognised in The Australian Financial Review and Westpac Group 100 Women of Influence Awards.
In 2014, Kate directed two new works for KAGE, FORKLIFT and TEAM OF LIFE. FORKLIFT combines choreography, contortion and aerial acrobatics on, and around, a working 2.5 tonne forklift.
While TEAM OF LIFE harnesses the power of two great dramatic traditions – sports and theatre. By honouring the great Australian Game (AFL) and the World Game (soccer) it tells stories of young people’s search for different kinds of freedom.
Creative Director and CEO
Gerard’s training and performance experience includes contemporary dance, acting, slapstick, puppetry, and motion capture. Gerard choreographs, teaches, critiques and regularly discusses dance. After graduating at the Victorian College of the Arts he co-founded KAGE with Kate Denborough and has performed in all of KAGE’s award winning works throughout Australia and overseas. Gerard clocked up 50+ performances of his solo THE COLLAPSIBLE MAN and won some awards along the way. He has toured extensively with BalletLab and Polyglot Puppet Theatre, and worked locally with artists such as Nat Cursio, Eleventh Hour Theatre, Legs on the Wall, desoxy Theatre and Sandra Parker. Gerard has danced in a piano costume for Sarah Blasko and floated in a space ship for David Noonan. He has directed circus and comedy, and provided dramaturgy for ballet. When Gerard isn’t busy with KAGE he works as a Marriage Celebrant. He is on the dance panel of the Green Room Award Association and is a regular guest on Triple R’s Smart Arts Program.
Clare has a wealth of knowledge, passion for and experience in the arts sector having most recently held the position of International Programming Manager at Circus Oz. An avid lover of dance and theatre, Clare completed an internship at Chunky Move whilst completing her studies in Masters of Arts Management at The University of Melbourne. Clare also has experience in music and literary management, having worked as administrator for acclaimed vocal group Coco’s Lunch. Clare also worked at one of Australia's most well established bookstores, Readings Booksellers as their Marketing and Events Assistant.
Ruth is a passionate and experienced performer and producer. Having trained in classical voice and theatre in London, Ruth went on to tour Australia with The Ten Sopranos for two years before undertaking a Bachelor of Business degree majoring in Marketing. Previous to her appointment at KAGE, Ruth worked in Communications at boutique marketing firm; Create and Communicate 2C before managing design company Mister Moss Pty. Ltd. In addition to her work with KAGE, Ruth also runs her own production company, Release Creative. Ruth’s most recent credits as a producer include The Your Theatrics International Cabaret Contest which was presented across Australasia and Amelia Ryan’s A Storm In A D Cup for Adelaide Fringe Festival, The Tasmanian Cabaret Festival and Fringe World in Western Australia.
The Gorman brand is now 16 years old (in 2015). Lisa has a team of around 150 staff across 18 Gorman stand alone retail stores nationally and in New Zealand, as well as a thriving online store. She has an experienced retail partner with whom she works with daily to keep Gorman at the top of the industry. She participates in Melbourne Spring Fashion Week and L’Oreal Melbourne Fashion Festival annually and has done for the last 13 years. Lisa Gorman is a great supporter of the local arts, collaborating seasonally with local artists such as Rhys Lee and Rachel Castle and working closely with RMIT on a mentorship program.
Eddie Perfect is an actor, composer and comedian. Best known for his role as Mick Holland in Ten's Offspring, Eddie also wrote and starred in Shane Warne The Musical (2009 Helpmann Award Best New Work, 2009 Victorian Premier's Literary Award Best Music Theatre Script). Other television credits include Kath and Kim, Blue Heelers, Stingers and MDA as well as performing his own brand of dark satirical music comedy on ABC TV's Standup, The Melbourne Comedy Festival Gala, Good News Week and The Sideshow. On stage, Eddie has played Alexander Downer in Keating! The Musical (Company B Belvoir, for which he won a Green Room award in 2008), Macheath in The Threepenny Opera (Malthouse Theatre) and has toured both nationally and internationally in numerous successful one man shows including Angry Eddie, Drink Pepsi Bitch, Songs From The Middle (with The Brodsky Quartet), The Big Con (Malthouse Theatre, with Max Gillies) and most recently Misanthropology (Sydney Festival) for which he won the 2011 Helpmann Award for Best Cabaret Performer. In 2012 Eddie performed the role of Luther Billis in the Opera Australia production of South Pacific.
Fab is Head of Developed Markets Asia-Pacific (ex-Japan) and Australia/New Zealand Country Head for Standard & Poor’s Ratings Services. She also chairs the Market Building Working Group of the Australian Advisory Board to the G8 Social Impact Investment Taskforce. She was a national committee member for Women in Banking and Finance (WiBF) and the inaugural chair of WiBF’s Victorian sub-committee (2011–2013), establishing WiBF’s presence in Victoria. She was a National Committee member on the Australian Securitisation Forum (2000–2010) and subsequently awarded a fellow in 2013.
Fabienne holds a Bachelor’s degree (with Distinction) in Economics and Finance from the Royal Melbourne Institute of Technology, diploma in Treasury Management from the Australian Society of Corporate Treasurers (later the Finance and Treasury Association) and is also a graduate member of the Australian Institute of Company Directors. Fab enjoys singing and chairs Rhythm ‘N Soul community choir based in Hawthorn.
Hugh is a lawyer and composer. He completed a Bachelor of Music from the Conservatory of Music at the University of Melbourne in 2004. In 2010 he completed a Bachelor of Law at La Trobe University with Honours. He was awarded the 2010 Victorian Law Foundation Chief Justice's Medal for Excellence and Community Service for his leading role in the creation of both the educational website The Gist of It and the charity and refugee awareness albums The Key of Sea. In 2014 Hugh took up a position on the board of the Human Rights Arts and Film Festival.
In addition to his professional and charitable work Hugh is an active member of the Melbourne music community. His most recent long form work "Mountain Ash" was premiered by contemporary music ensemble Plexus at the launch of their 2014 series at 45 Downstairs
Sarah has been a management consultant for more than a decade in Australia and the USA. She is a Principal at Nous Group in the Strategy and Public Policy practice, and was previously a Senior Manager in Strategy at PricewaterhouseCoopers. Sarah has worked with some of the world’s largest organisations in the private, public and not-for-profit sectors to improve their performance by improving their strategy, structure, operations and people management. She holds a Bachelor of Commerce/Bachelor of Arts from the University of Melbourne and is currently completing her MBA.
Adalene is a Tax Manager for Asia at BHP Billiton. She previously worked in the corporate tax division of KPMG for 12.5 years. Adalene is a qualified Chartered Accountant and graduated from the University of Melbourne (1997) with a Bachelor of Law (Honours) and a Bachelor of Commerce.
Jayne's career in the arts spans a wide range of media as a practitioner, producer and creative director. After completing a degree in classical music performance, Jayne received her Master of Arts & Entertainment Management. With career expertise in strategic business development and arts programming, her background includes festival direction, marketing and communications, major events management, and corporate and philanthropic fundraising. Jayne has worked across organisations in both the major and small-to-medium sector, with international commercial arts experience.Jayne is currently Development Manager at Malthouse Theatre, and holds positions on the City of Yarra Room to Create Committee, the Pozible Advisory Board, KAGE Board and Acland Street Projection Festival Board. In 2015, Jayne was selected to participate in the Australia Council for the Arts Emerging Leaders Development Program.
Carol’s career spans Commercial and NFP sectors as Chief Financial Officer, Operations Director, Company Secretary and related roles. Carol was Chief Financial Officer at The Australian Ballet from April 2009 to August 2014.
Prior to 2009, Carol spent 8 years at Standard & Poor’s Australia holding positions of Financial Controller, Director of Operations, Company Director, and Company Secretary. She has also held senior finance roles within the legal profession, Health and Insurance industries.
Her qualifications include FCPA; B.Bus (Acc); Gd Dip Bus; Gd Dip Company Secretarial and MAICD.
Carol sits on the Board and is Treasurer for Melbourne Youth Music and is assistant Treasurer for Glenferrie Rotary.
Current Project Personnel
Pier Akec is currently studying Construction Management at RMIT University. He has played soccer for eight years and enjoys athletics and footy. After moving from Sudan to Australia when he was nine, Akec represented Victoria in track and field, competing in decathlon events. After primary school he was awarded a scholarship to Carey Baptist Grammar School, where he graduated in 2013. In December, Akec will travel to Kampala, Uganda, and will visit the Star Education Centre (a primary school established for South Sudanese refugees), with whom KAGE forged a connection during the development of TEAM OF LIFE.
From Derby, Western Australia, Heath is an actor and musician who has appeared in a wide variety of film, tv, concert and corporate performances. While still in his teens he shared the role of Willy in the Black Swan Theatre Company production of Bran Nue Day (1993). Also for Black Swan Theatre, Yandy (2004) and Uncle Vanya (2005). He has worked extensively for Yirra Yaakin Noongar Theatre, Talk it Up (2009), Muttacar Sorry Business (2009), King Hit (2003), Inside Out (2002) Runumuk (1997),Wicked (1994), Price of Love (1994).
Heath has played the didgeridoo in bands and for numerous local and international functions, including with the Graham Wood Trio and guest artist Martin Piecuch from New York at the Ellington Jazz Club (2010) and with the Barry Bruce Quartet and guest artist Martin Piecuch from New York in 'Didgeridoo Meets Jazz' (2010). He previously played didgeridoo for the Yabbu Band and the Alice Haines Band.
Heath’s film credits include In the Air (short 2012), Ship to Shore & Sweat for Barron films (1996), Southern Cross & Rabbit Proof Fence (2001), My Past My Present (2008), Jacob (short film, 2008), and for television; The Circuit (2008), Dirt Game (2009), Australia on Trial (2011), Wild Boys (2011), Mabo (2011), History of the World (2012)and Breakers (1997-99).
Miranda Brown is the director of one of Australia’s most successful, respected and long standing PR companies. The company is unique in its eclectic mix of arts and entertainment clients, which range from Australia’s biggest music event, the Big Day Out, to the dynamic BigPond Adelaide Film Festival, the South Australian Film Corporation, the Ubud Writers Festival, Victoria’s flagship dance company Chunky Move, and many others. Prior to establishing her company, Miranda worked as publicity manager for Australian rock group INXS at the height of their international success, with Virgin Records in London for three years in their International PR department, and in Sydney as a freelance music and film journalist.
Nyuol Bol currently studies Psychology at Victoria University. He previously undertook an International Development degree at La Trobe University after graduating from Christian Brothers College in St Kilda in 2010. Bol plays soccer nine months of every year and also loves music. Originally from Warrap in South Sudan, he now lives in Melbourne but barracks for the Sydney Swans. He is also a keen supporter of Arsenal Football Club. When not working with KAGE on TEAM OF LIFE, Bol works at the City of Yarra.
Bill Coleby has 27 years of experience applying risk management to the leisure, public venue and festival industries. Bill has extensive experience in the development of operational and safety procedures, OH&S policies and manuals, maintenance, management skills, safety training procedures, venue and festival safety programs development and implementation, accident circumstance investigation and loss adjusting.
Bill commenced Risk Management for Shows, Venues and Amusement Parks in the 1980’s. Bill was instrumental in producing the original Safety Seminars for the Australian Leisure Industry. He has also attended and assisted with the production of safety seminars in the USA for the American Recreation Equipment Association. Bill has performed Risk Management audits and given safety advice to most of Australia’s Amusement Parks and Leisure Venues in the past. Bill has performed circumstance investigating for Victorian WorkCover, investigating serious accidents. He is also experienced in loss adjusting for the Leisure Industry. Bill is a member of the Risk Management Institution of Australasia Limited, National Safety Council of Australia, Australian Amusement Leisure & Recreation Association and was for five years on the board of directors of St Martins Youth Arts Centre. Bill has an Advanced Diploma of Public Safety (Community Safety) and an Advanced Diploma of Public Safety (Emergency Management)
Coleby Consulting was formed due to the high demand for Risk Management for Festivals, Venues and Events. We are a small organization with a low profile dedicated to assisting the Festival, Venue and Event industry with pro-active Risk Management, Risk Assessments, Safety and Emergency Plans and training. Our performance and results are our testimony.
Community Advisor - Team of Life
Milan Colic works as a school psychologist at St John’s Regional College in Dandenong, where he consults with people in individual, family, group work and community contexts. He is also the founder of the Open Gate Psychology Centre, originally set up to support young men going through a tough time. Milan is particularly interested in how methodologies can be used to respond to individuals, families and communities who have experienced trauma. Milan met David Denborough in 2007 when he took part in a Team of Life workshop at the Dulwich Centre in Adelaide. In the same year, Milan introduced Team of Life to St John’s with remarkable results. It has since run every year and the heritage of this project has had wide reaching implications. For example, there have been numerous letter exchanges between students at St John’s and young people in other parts of the world who have completing the Team of Life initiative. Past team members have gone on to receive sporting and academic scholarships, as well as presenting their Team of Life experiences at an International Conference in Adelaide. As a consequence of these involvements, the confidence of these young people has grown significantly and has contributed to their engagement and success in school.
Damien’s career highlights include EXIT THE KING on Broadway starring Geoffrey Rush and Susan Sarandon; The Australian Ballet’s SWAN LAKE which has been presented in New York, London, Paris and Tokyo; KEATING! THE MUSICAL, Australia’s most successful subsidised theatre show ever; and Australian Dance Theatre’s BIRDBRAIN which has played over 60 venues around the world. Damien has designed more than 100 theatre productions, including STRANGE INTERLUDE and CAT ON A HOT TIN ROOF both directed by Simon Stone, THE SEAGULL directed by Benedict Andrews, SUMMER OF THE SEVENTEENTH DOLL, GETHSEMANE, STUFF HAPPENS and TOY SYMPHONY all directed by Neil Armfield at Belvoir; BLOODLAND directed by Stephen Page, THE LOST ECHO, THE WOMEN OF TROY directed by Barrie Kosky, THE CHERRY ORCHARD directed by Howard Davies, TOT MOM directed by Stephen Soderbergh and RIFLEMIND directed by Phillip Seymour Hoffman all at Sydney Theatre Company. Damien’s opera design includes A MIDSUMMER NIGHT’S DREAM at Houston Grand Opera, Canadian Opera Company and Lyric Opera Chicago; CHORUS! at HGO; and COSI FAN TUTTE and PETER GRIMES at Opera Australia. In 2013 Damien will light Wagner’s RING CYCLE, directed by Neil Armfield and produced by Opera Australia. Damien works with many leading dance companies in Australia and this work has toured extensively around the globe. His recent work includes Chunky Move’s MORTAL ENGINE; Bangarra Dance Theatre’s OF EARTH AND SKY; Stalker Theatre Company’s SHANGHAI LADY KILLER; Australian Dance Theatre’s BE YOUR SELF and The Australian Ballet’s ROMEO AND JULIET and THE NARRATIVE OF NOTHING. Damien has been awarded three Sydney Theatre Awards for Best Lighting Design and a Green Room award for Best Body of Work in 2007. He was nominated for a Sydney Theatre Award in 2011 for hisdesign of THE SEAGULL; and in 2012 for his design of STRANGE INTERLUDE, both at Belvoir. Most recently, Damien won two 2012 Green Room Awards for Bell Shakespeare’s MACBETH and The Australian Ballet’s THE NARRATIVE OF NOTHING; and was nominated for his work on Belvoir / MTC’s SUMMER OF THE SEVENTEENTH DOLL.
Jordine Cornish is an early career dance artist whose work draws from personal story telling as well as her exposure to professional dance artists and art work in Melbourne and Europe. Her artistic work provokes imaginative realities encouraging the viewer to move away from literal, narrative thinking. She is interested in non-traditional settings (performances existing in spaces like vehicles and bedrooms) which allow the viewer to see and experience spaces in a new way. She incorporates the tool of improvisation into her practice as a way and desire of exploring, experimenting and moving past the known experiences in the body.
Recently, Jordine’s dance practice has been focused towards creating dance work for young audiences. She sees young people as an exciting, honest and open audience considering them to have not yet lost their connection with imaginative play as a means of making sense of the world. They are not so concerned about being understood, or justified, but with being present, anchored in the now. Working for young audiences is not about simplifying things, but about investigating and sharpening the facets of her artistic practice further. Valuing work which is not spoon fed to the audience she’s fascinated with interactivity, spectacle and participation, enabling the audience to have a full bodied experience of the work.
Jordine has recently returned from Germany where she was working (as a collaborator and performer) with renowned Dutch artist Erik Kaiel and Italian Choreographer Gabriella Maiorino on their new production ‘connect the dots’. Jordine has completed a Post Graduate in performance creation (Choreography) and a Bachelor of Dance at the Victorian College of the Arts, University of Melbourne. Whilst at the VCA Jordine was a recipient of the prestigious Dr Phillip Law Travel Scholarship. She has also received two Ian Potter Cultural Trust Grants, an Art Start Grant and professional development support from the Arts Centre Melbourne.
David Denborough (PhD) works as a teacher and writer/editor for Dulwich Centre Publications and a community practitioner for the Dulwich Centre Foundation. Recent books/publications include: Collective narrative practice: Responding to individuals, groups, and communities who have experienced trauma.
Recent teaching/community assignments have included Bosnia, Rwanda, Uganda, Canada, Brazil, Argentina, Chile, South Africa and a number of Aboriginal Australian communities. David’s songs in response to current social issues have received airplay throughout Australia and Canada.
Kutcha Edwards is a Mutti Mutti man, born in Balranald, New South Wales, Australia. He was 'stolen' at 18 months and denied his birthright to grow with his family and to experience his culture. As a teenager he was reunited with his family and so his journey began to retrieve his identity and reclaim what was denied him his family and his community. For the last nineteen years Kutcha has worked in the community at various organisations in Melbourne such as the Aboriginal Community Elders Services (ACES), Victorian Aboriginal Health Service, Fitzroy Stars Youth Club Gymnasium and the Koori Open Door Education school at Glenroy. During this period Kutcha has developed a strong interest in working with Koori youth. The key issues that motivate his work are to empower youth with a strong sense of self worth, self expression, self belief and self determination
Gregory Erdstein is an award-winning filmmaker, writer, illustrator and musician from Melbourne, Australia. A Masters graduate (2009) from the Victorian College of the Arts (V.C.A) School of Film and Television, Erdstein currently works as a filmmaker, illustrator and film teacher. Recently he has been developing a surreal television series FEAR PARADE with Melbourne actor Shane Nagle, director Tony Rogers (Wilfred) and producer Anna Kojevnikov (Deeper Than Yesterday). In 2010 Erdstein formed the production collective MOCCASIN with Alice Foulcher. Together they have produced three short films including PICKING UP AT AUSCHWITZ (2012), HAROLD HOLT IS DEAD (2011) and the almost completed WHY RYAN IS ON DETENTION (2013) based on the sequence of poems THE LEARNING CURVE by John Foulcher. Pre-production is currently underway for Erdstein's latest short THE LIGHT AT THE END OF THE TUNNEL (2013). In 2014 Gregory and Alice of MOCCASIN have been in residence at the Cité Internationale des Arts in Paris, France.
Leila Gurruwiwi is a Yolngu woman originally from Galiwinku on Elcho Island and Gove, North East Arnhem Land. She has lived in Victoria for most of her life, growing up and going to school in Bendigo. She has worked as a reporter and newsreader on the Marngrook Footy Show since the show began in 2007, and is also a regular presenter on the Marngrook Radio Program. Gurruwiwi has a deep knowledge of and love for the game and is a keen Western Bulldogs supporter. As an actor, she is known for her work in The Secret River.
Community Advisor - Team of Life
George Halkias is a well respected community figure who has supported some of the most vulnerable members in our community. Over the past 15 years he has coordinated innovative services and programs that have changed the lives of many Australians.
Following completion of a psychology degree and post graduate studies, George has worked extensively in the government and community sectors on various ground breaking projects. He has used his skills to find unique ways to involve the corporate world in his projects such as the recent 2008 Homeless World Cup in Melbourne.
A passionate and entertaining speaker, George now passes on much of his insight, experience and wisdom to professionals, aspiring leaders and the wider community. He believes in raising the awareness and educating individuals on a range of social issues and inspiring them to great achievement in their own fields.
David is an events and entertainment professional with a focus on production and project management of artistic and community based events and projects throughout Australia.
A prolonged desire to be working within a more creative field saw David finish up his career in Construction Management in 2007. He commenced a Post Graduate Diploma in Production Management at the Victorian College of the Arts of which he completed with honours in 2008.
David has gone on to work with many of Australia’s premier theatre and festival and event producers including Big West Festival, Meredith Music Festival and St Kilda Festival, Melbourne Theatre Company, Living Room Theatre and Instinct Entertainment.
David is also a founding member and director of a not for profit enterprise that produces music and artistic fund raising events for specific charities, of which he has occasionally performed at.
Marieke Hardy is a screenwriter, broadcaster and author. She has penned regular columns for The Age, The Drum, and The Monthly. Her six-part award-winning black comedy series, Laid, premiered on the ABC in 2010 and the second series aired in 2012. She is co-curator of sellout literary salon Women of Letters and a regular panelist on The First Tuesday Book Club. A collection of her essays, You’ll Be Sorry When I’m Dead, was released through Allen and Unwin in 2011.
Community Advisor - Team of Life
Born and raised in Australia with Muslim migrant, Egyptian parents, Assmaah has been an avid football fan and player since childhood. She has completed a Bachelor’s degree in Sports and Exercise Science. With extensive experience in a sports for social development context, Assmaah previously worked with Save the Children as the Refugee Youths Sports Development Officer and is currently the community coordinator for Football United, (an initiative of the University of NSW) assisting youth from disadvantaged backgrounds through football playing, education and leadership development opportunities. She is also the coordinator of the Youth Islamic Egyptian Society in NSW which has been established to provide a platform for youth engagement within the local and wider community. She currently plays football in the NSW Super League.
Set and Costume Designer
A triple Greenroom Award winner, Marg has also recently won Sydney Theatre Awards for Stage and Costume Design for Summertime In The Garden Of Eden. Marg was the Designer in Residence for the Lawler Studio with Melbourne Theatre Company in 2011, she is a regular collaborator with Angus Cerini- Doubletap. In 2014, Marg will design shows for Melbourne Theatre Company, Belvoir, Malthouse Theatre, Griffin Theatre Company and Arena.
Recent projects include: Cock (MTC), Summertime In The Garden Of Eden (Sisters Grimm), Savages (fortyfivedownstairs), By Their Own Hands (The Hayloft Project), Constellations (MTC) Music (MTC), The School For Wives (Bell Shakespeare), Tame (Malthouse Theatre), The Histrionic (STC/ Malthouse Theatre), Ophelia Doesn’t Live Here Anymore (Bell Shakespeare/ Chambermade Opera), Save For Crying (Angus Cerini-Doubletap), Bare Witness (La Mama/ fortyfivedownstairs), Do Not Go Gentle (fortyfivedownstairs).
Henna was born in 1980 in North Finland. She competed in rhythmic sports gymnastics at a national level for 12 years. Between 2000-2003 she studied in Stockholm, Sweden at Cirkus Cirkör and at Stockholm University (jazz, modern and street dance). She was a member of the parliament of the Finnish Dance Association 2007-2009 and the Finland's Circus Information Centre 2008-2009. She is a recognised artist in the Finnish theatre/circus scene and has received grants from the National Arts Council as well as Arts Council of the City of Helsinki. Henna is currently touring with Cantina for Strutnfret Productions.
Kiki Kuol finished year 12 at ACE College in 2013 where her favourite subject was fitness. She loves sport, particularly basketball and netball, and won Best Team Player for basketball in 2008 and for netball in 2011. She currently lives in Shepparton, where she studies hospitality, tourism and event management at TAFE. Kuol has worked as a promoter for a variety of clubs, bands and entertainment agencies. She loves music and dancing and is keen to get into modeling or become a flight attendant in the future.
Alisdair is a self-taught sound designer, composer and instrument builder who started making music for dance in 2003 while studying dance. His professional engagements as a sound designer for dance include works by Antony Hamilton (Black Project 2 2013) Chunky Move's Next Move Program (It Sounds Silly – Adam Wheeler 2012 & 2014 and Princess – Benjamin Hancock 2014), Lucy Guerin Inc's Pieces for Small Spaces (Rainbow Vomit – Amber Haines and his own 525600LOVE) Australian Dance Theatre's Ignition Tour (The Boxer – Sarah Cartwright), STOMPIN (sound arranger and editor for On Your Marks, My Heart is a Hall 2014, and I Heart Cars 2013), Yellow Wheel (FX – Adam Wheeler 2013) The Victorian Collage of the Arts (works by Lina Limosani and Stacey Mitchell), Second Toe (Something Blew and The Lost Dance Project 2014) and Next Wave Festival and Performance Space (his own work Bromance).
From 2010-13 Alisdair composed and produced 3 albums of music for the Australian Teachers of Dancing Contemporary/Modern syllabus levels 1-8 for use in dance training and examination.
In 2014 Alisdair designed and constructed 64 wireless percussion robots as the instrumentalists for his composition for Antony Hamilton's 2015 work Meeting. 2015 sees Alisdair working with Kyle Page/Amber Haines at DANCENORTH for their premier season of A Syncing Feeling, Alison Currie for her new work and Byron Perry and Antony Hamilton for their interactive film work as part of 24 Frames at Carriage Works.
Alisdair was the recipient of the 2014 Green Room award for dance composition for Antony Hamiltons Black Project 2, and the recipient of the 2015 Green Room award for dance composition for Benjamin Hancock’s Princess.
Amy completed a Bachelor of Dance at the Victorian College of the Arts receiving the Joy Nichols Award for Outstanding Achievement (2005) and the Dr Philip Law Travel Scholarship (2007). Amy performed in Symphony for Legs on the Wall as part of Sydney International Arts Festival 2013 and toured to South Korea. Recently Amy received a 2014 JUMP mentorship grant to work with Narelle Benjamin. Amy was a company member of Buzz Dance Theatre from 2011 to 2012 performing in works Thrill, Restless and Fragile and touring to the Kimberley and Pilbara regions of Western Australia on the company’s Big Stretch tour. Other companies she has worked for include Cadi McCarthy & Company and Opera Australia. She is Co- Director of dance collective Phantom Limbs, touring works to the Adelaide and Melbourne Fringe Festivals, Theatre Works and QL2 Centre for Youth Dance, Canberra. Phantom Limbs’ most recent work TRTH+FNTSY received ‘Best Dance’ and ‘The Discovery Award’ in Melbourne Fringe Festival 2013. Amy’s choreographic commissions include Private Dances with Phantom Limbs as part of the 2010 Next Wave Festival and Your Twenty Worst for Dance Card, an Ausdance Victoria initiative.
Understudy - Forklift
A graduate of the National Institute of Circus Arts, Anna Murray is an energetic and charismatic artist who excels in contortion handbalancing, but often finds herself onstage performing and supporting a wide variety of acts.
With a background in competitive gymnastics, Anna began dancing at the late age of 17. Driven to futher herself and utilise her extensive gymnastics training, in 2010 she successfully auditioned for C!RCA's youth ensemble, 'Zoo'.
Since graduating, Anna has been working in many areas of the performing arts industry, as a teacher, choreographer, trainer and performer. She has performed for many corporate clients including Volkswagon, Ferrari, Lulu Lemon, Crown Casino and Samsonite. Anna is also a passionate teacher and is currently teaching tumbling and circus around Melbourne.
Gabrielle’s performance and collaboration credits include an eclectic selection of internationally renowned companies and artists. Honing her career in Europe with Belgian artists Alexander Baervoets and Ultima Vez/Wim Vandekeybus, she has also lived and worked in Germany, Denmark, Slovenia and Portugal. Since re-connecting with Australia through her own projects, Gabrielle has worked with ADT/Garry Stewart, Splintergroup/Animal Farm Collective, Torque Show and Chunky Move/Gideon Obarzanek amongst others. Gabrielle’s choreographic work has been presented in 10 countries. Together with Jurij Konjar she co-directed Slovenian-based project initiative OX from 2003-2007. In 2011 Gabrielle’s solo I left my shoes on warm concrete and stood in the rain toured nationally through Mobile States earning her a 2012 Australian Dance Award nomination for Outstanding Performance by a Female Dancer. She was also choreographer for Windmill Theatre’s multi award-winning School Dance, presented at the 2012 Adelaide Festival and by Sydney Theatre Company at the 2013 Sydney Festival.
QUT trained, Timothy has been performing professionally for over 13 years. He has worked with Australian Dance Theatre, Force Majeure, KAGE, Shaun Parker & Co, Lucy Guerin Inc, Meryl Tankard, Legs on the Wall, Strings Attached, Stalker, Torque Show, Strut & Fret, Theatre of Image, The Song Company, Anton, Raw Metal, Opera Queensland, Opera Australia and Chunky Move performing Stephanie Lake’s Mix Tape for which he received a 2010 Green Room award. Timothy has choreographed a handful of short works performing in Expressions Dance Company’s Solo – Festival of Dance in Brisbane and iOU in Sydney SPRING DANCE 2012.
Vivienne graduated from VCA with a Bachelor of Production in 2010. Since then she has been working in Stage Management for Melbourne Theatre Company for the following productions – 2010: Dead Man’s Cellphone, Life Without Me. 2011: Apologia, Water Carriers, Rising Water, The Importance of Being Earnest. 2012: The Seed, The Heretic, His Girl Friday, Music. 2013: Other Desert Cities, and Rupert. Vivienne has also worked on an international production of One Man, Two Guvnors. In 2014 Vivienne has stage managed ‘Hello There We’ve Been Waiting For You’ for the Next Wave festival and toured MTC’s Rupert to Washington D.C. for the Kennedy Centre’s World Stages festival.
Julie is a Melbourne based set and costume designer. Julie has had the pleasure on working with KAGE on two productions to date. SUNDOWNER, and a season of LOOK RIGHT THROUGH ME at the Malthouse Theatre in Melbourne. Julie has collaborated with Eleventh Hour Theatre on numerous productions including two Endgames and an Othello, culminating with a final set and costume design of King John for the 2010 Adelaide Festival of the Arts. In 2012 Julie designed costumes for a remount Quartet the Razor (A is for Atlas), and constructed costumes for the next installment of Underbelly Squizzy. Other productions include: set design Ariadne auf Naxos (Victorian Opera), The Scoundrel That You Need (Moriarty’s Project Inc), The Fire Raisers (Union House Theatre, University of Melbourne) Julie is the recipient of the Green Room Award for Set Design in an Independent Theatre Category ‘For Samuel Beckett’ 2006 (Eleventh Hour Theatre).
Composer / Sound Designer
Kelly is an award winning composer and sound artist. In 2009 he received two Green Room Awards for Love Monkey and Coop, in 2007 he received the Melbourne International Arts Festival Award and in 2005 received a Green Room Award and Fringe Festival Award for outstanding composition and sound design.
His recent works include: The School for Wives (Bell Shakespeare) On the Misconception of Oedipus (Malthouse, PTC) Macbeth (Bell Shakespeare), On the Production of Monsters (MTC), Disappearing Acts (World Theatre Festival), The Boys (Griffin/Sydney Festival), Return To Earth (MTC), And No More Shall We Part (Griffin), Julius Caesar (Bell Shakespeare), Die Winterreise (Thin Ice, Malthouse), Save For Crying (Angus Cerini/Doubletap), Expectation (Arts House), The Trial (Malthouse, Sydney Theatre Co, Thin Ice), Dead Man’s Cell Phone (MTC), Love Me Tender (Company B, Griffin and Thin Ice), The Harry Harlow Project (Full Tilt), The Man With The September Face (Full Tilt), God Of Carnage (MTC) and One Night The Moon (Malthouse).
He has worked with KAGE on SUNDOWNER and FLESH AND BONE
Daisy Sanders has just graduated from the Western Australian Academy of Performing Arts (WAAPA) with a 2013 BA Arts (Dance). Her studies there included 2009 in the Advanced Diploma (Classical Ballet) and fall 2012 Semester studying as an International Exchange Student in BFA and MFA programs at the University of North Carolina in Greensboro (UNCG), USA. As a student she has worked with Charlie Hodges, Jo Pollitt, Paea Leach and Leigh Warren among others. She has undertaken secondment placements with Sue Peacock and Performing Lines, Lucy Guerin Inc., Bluebottle 3 and internationally, Company Chameleon (Manchester), Los Angeles Contemporary Dance Company and Fabulous Beast Dance Theatre (Dublin/London). Daisy grew up in Canberra and completed Year 12 in 2008 at Dickson College with the highest UAI graduating score (99.7). She was named 2009 Young Canberra Citizen of the Year for these achievements and for outstanding community contribution. In August 2013 her original dance theatre work ‘An Invitation to Balter’ was part of the ‘Fresh’ season at UWA Dolphin Theatre and will be presented again at the Blueroom Theatre, Perth, February 2014 as part of the ‘Summer Nights’ season. Daisy is intrigued by; dance meeting theatre, choreography, release technique, improvisation, Feldenkrais and sensory awareness acting and is passionate and excited abouthow this will build her career as a dance theatre creator and performer.
Byron is an experienced sound designer with experience across various mediums from feature film to permanent site-specific installation. He is familiar with all elements of the sound design process. From conceptualisation and responding to briefs, through to workflow design and management and sound system design, build and implementation. He is able to execute on a wide range of scales from intimate settings to large-scale public events. Byron has completed and assisted in the completion of many soundtracks for performance pieces, art installations, feature films, television programs, documentaries and advertisements. He possesses a working knowledge of western music theory as well as extensive knowledge of avant-garde and experimental music/sound practice and repertoire. He is an experienced electronic musician equally comfortable performing formal compositions through to free improvisation. Byron is very familiar with the recording studio environment and is familiar with all aspects of the sound recording process. Byron also possesses extensive location and field recording experience. Recently Byron created an original soundscape and interaction system called ‘Midden’ for White Night Melbourne 2014. He provided the 4 channel sound design and composition for Daniel Crooks’s ‘An embroidery of voids’ commissioned by Melbourne Now at NGV, 2013. Byron provided the sound design and audio installation for several works at Melbourne Museum’s First Peoples Exhibition, 2013. For the past number of years Byron has been one of the artists at the helm of Liquid Architecture, providing production management and sound system design. Some of his employees and collaborators have included: 3RRR FM Melbourne, Adelaide Festival, Australian Broadcasting Corporation, ACCA, Back to Back Theatre, Chunky Move, Daniel Crooks, Darren Sylvester, David Bridie, Eness, Francois Tetaz, J. David Franzke, KAGE, Lucy Guerin Inc, Malthouse Theatre, Melbourne Museum, Melbourne Planetarium, Melbourne Symphony Orchestra, Nat Cursio, Oren Ambarchi, Robin Fox, Royal Melbourne Institute of Technology, Stephanie Lake, What Is Music?, to name a few.
Anna Seymour is a Melbourne-based contemporary dance artist who was born profoundly Deaf. She completed a Bachelor of Creative Arts (Dance) in 2012 and has worked for various companies and festivals including Polyglot, La Mama, Strange Fruit, Melbourne Fringe and Short and Sweet Dance Festival. In 2012 Anna, with Jo Dunbar and the support of Arts Access Victoria, co-founded The Delta Project, a dance company employing Deaf and hearing dancers and artists that has involved collaborations with choreographers Jodie Farrugia (Collisions, 2012), Lina Limosani (Under My Skin, 2014) and Jo Dunbar in both pieces. Anna is a recipient of the Australia Council for the Arts Career Pathways grant for Professional Development in dance and the Artists with Disability grant which will involve Anna travelling to the UK and Europe in 2015 for further training in dance with companies and choreographers. Anna also teaches dance workshops for Deaf children in Melbourne and regional Victoria for The Ripple Effect Project, funded by Vic Health. Anna’s 2014 projects have included; Summer Solo Series at Dancehouse, a dancing/acting part in a short film for Tropfest, Under My Skin for The Delta Project, a performer in Hypnagogia choreographed by Amanda Lever and a participant in Shelley Lasica’s dance and science research project AS YOU SEE IT. In 2015, Anna will join Ballet Lab as a dancer for their new project Smudge, a collaboration between artistic director Phillip Adams and visual artist Brook Andrews. Anna will also join KAGE for their project Out of Earshot.
Lighting and Technology Designer
Bosco Shaw works primarily as a Lighting and Set Designer. He has worked for companies and festivals in Australia and around the world. These projects vary from independent works, to major festival installations. Companies include Australian Dance Theatre, Adelaide Festival of Arts, Windmill Performing Arts, Arts Projects Australia, Dance North, Chunky Move and Bluebottle. Projects include; Womadelaide - 2010/2011/2012, Australian Ballet -”Halcyon”, Antony Hamilton/Lyon Opera - “Black Project 3”, Tim Darbyshire “More or less Concrete”, Missy Higgins “Unashamed Desire - Film Clip”, ANAM and Paul Kelly “Conversations with Ghosts”, Larissa Mcgowan “Skeleton”, City of Melbourne NYE 2012 “Nests Live Sites”, Dance North “Fugue” and “Abandon”, Queensland Music Festival “Boomtown”, Daniel Jaber/ADT “Nought”, Hydrapoesis “Prompter”, Tristan Meecham and Aphids “Game Show”, “It Cannot Be Stopped” Chunky Move, Keir Choreographic Awards (Tim Darbyshire and Atlanta Eke), Woodford Festival 2014/15 - Opening and Fire Ceremonies.
Advisor and Performer
David Nyuol Vincent fled South Sudan’s civil war with his father when he was a child. They made it to a refugee camp in Ethiopia but were separated and David was trained as a child soldier. 18 years after leaving South Sudan, David was given a humanitarian visa to come to Australia in 2004. He was awarded a scholarship and completed a Bachelor of Arts, with a double major in Political Science and Criminology at the University of Melbourne. He has spent the years since gaining extensive experience working with young people through community development and family support programs.
David has become an advocate for refugees and the Sudanese community and is a Victorian Human Rights Ambassador. A true humanitarian, David has created a cross-cultural NGO, Peace Palette, which works towards the empowerment of communities by drawing on local skills and knowledge. He also helped to set up an all-Sudanese football team, the Western Tigers, in the Brimbank soccer league. In 2011, he was noted as one of Melbourne’s Top 100 most influential, inspirational, provocative and creative people. David became a published author with his book “The Boy Who Wouldn’t Die” released in July 2012.
Nicci is a freelance artist continually creating and performing works of various art forms. She began her career with the Flying Fruit Fly Circus. She has trained in theatre and circus around the globe with: The Nanjing Acrobatic Troupe (China), the John Palacy Trapeze Volant School and Ecole Philippe Gaulier (France), La Fura Del Baus (Spain), Witness Relocation (New York), Italian clown master Giovanni Fusetti and specifically in circus in Montreal, Norway and Germany. Nicci has worked with a number of companies including: Circus Oz, Melbourne Theatre Company, Rock ‘n’ Roll Circus (CIRCA), Melbourne Workers Theatre, Hothouse Theatre, Born In A Taxi, Dislocate and Legs On The Wall. She has strutted her skills on every continent in the world bar one and performed in 10 different languages. She works with independent theatre companies and artists throughout Australia as a performer, creator/ devisor and co-director and also as a solo artist.
Jethro Woodward is a Melbourne-based composer, musician and sound designer recognized for his expansive and highly layered film, theatre and dance scores. A multi Green Room Award winner and nominee, he has worked with some of Australia’s leading major and independent companies including MTC, Malthouse Theatre, Belvoir Company B, Arena, Windmill, MSO, Rawcus, Stuck Pigs Squealing, Fragment 31, Lucy Guerin, Australian Dance Theatre, KAGE and more. Jethro won Green Room Awards for Moth (Malthouse/ Arena 2010), Goodbye Vaudeville Charlie Mudd (Malthouse/ Arena - 2009) and Irony Is Not Enough (Fragment 31 - 2010). He was the Musical Director and Sound Designer for 6 x Helpmann nominated musical Wizard of Oz (Windmill - 2009).
Hans arrived with his parents and sisters in Australia in 1952 as a migrant from Holland at the age of 8 years old. As a teenager he left school to do an apprenticeship as a fitter and turner at Deer Park Engineering, and ultimately joining his father’s family business Contract Drilling. Like his father Hans is a jack of all trades with hobbies including building furniture and boats, oil painting and structural architecture. With three children training at the Sunbury School of Dance he began donating time to building props and sets for end of year concerts and got an insight into backstage theatrical possibilities from a engineering perspective. Over the lifespan of KAGE Hans has donated months of construction expertise often building pieces from scratch and providing advice on engineering logistics. He has contributed to sourcing and constructing sets and props for more than ten of KAGE’s repertoire work.